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Yuichi Yokoyama - Boat (part)

Boat (part)

by Yuichi Yokoyama

Size: H33.1 x W23.4 in (H84.2 x W59.6cm)
No Frame
Year: 2010
Edition: 10
Silkscreen
Signed
Delivery Time : 2 weeks
  • Price of the work
  • US$900
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After studying oil painting at an art university, Yokoyama began to draw manga as a medium that best suited his form of expression. To date, he has produced many manga pieces including, "New Engineering", "Travel", "NIWA", "Outdoor", and "Baby Boom", which has gained high acclaim both in and out of Japan. Yuichi Yokoyama's manga, which he describes as "drawing time", is a clear departure from common story form manga. Dialog is sparse and onomatopoeias such as "do do do do" and "wa-" are boldly used. In an atmosphere that is uncanny but arrtactive, cool characters freely move around with a sense of speed. This unique expression that Yokohama himself describes as "neo-manga" has easily oversome the limits of a two dimensional media to superbly draw "time" and "space". His work brings fresh surprises and excitement to the viewer and has continued to have great impact extending beyound the genre.

This image is a scene from Yokoyama's manga titled "Baby Boom". An adult with a bird-like face and a little furry baby chick-like creature sets off across a pond on a boat. The story progresses from right to left, starting from the top right-hand corner. Yokoyama chose this scene, because the character "baby" in the right-hand cell of the second row is depicted the cutest here, out of all the drawings of "baby" in the book. The book was printed in color and includes this artwork in the same colors as shown here. Through the manga "Baby Boom", Yokoyama attempts to convey the humor in cuteness. As he observed innocent children's adorable behavior, he found a comical side to their cuteness.

Click images to enlarge.

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After graduating from university majoring in oil painting, Yokoyama chose to draw manga which is widely known for his unique style. His manga doesn't have a dramatic conclusion or touching ending. Simply, time passes by and things go on but in a dynamic or funny way. Yokoyama doubts emotions and words since it may prevent us from understanding our complicated sensualities. Yokoyama talked how he developed his style and how he captures the world. He suggests us to see things without labeling them. Not to label with human perceptions.
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